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if you'd like us to contact you when our next
issue is online.
if you'd like us to do that and more - i.e. send you info
about failbetter presents readings and other events.
Which
means:
we'll send you the
occasional e-mail.
Which
doesn't mean:
we'll bombard you with spam, give your address to anyone, or use it in
other nefarious and sundry ways.
The
Editors
Thom
Didato
David McLendon

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A
Victim of Our Own Success . . . (revised
4/02)
Even
the additions to our reading staff have failed to stem the tidal
wave of tide of submissions we have been receiving this winter and
spring. Nevertheless, failbetter still strives
to read and respond to each and every unsolicited submission. Though
our response time has been elongated, our commitment to reading and
reviewing all submissions remains. Should you care to put us
to the test, please read the critical info below before submitting:
In
Theory . . .
Since
its inception, failbetter.com has been
online quarterly magazine published in the spirit of a traditional literary
journal – dedicated to featuring quality fiction, poetry and
artwork.
While the web plays host to hundreds, if not thousands, of
genre-related literary sites (i.e.,
mystery, sci fi and horror—many
of which have merit) failbetter.com is not one
of them.
We place a high degree of importance on originality—believing that even in this age of trends—it is still possible.
failbetter.com
is not looking for what is current or momentary.
We are not concerned with length: One good sentence may
find a home here; as the bulk of mediocrity will not.
Most importantly, know that what you are saying could only
come from you.
When you are sure of this, please feel free to submit.
In
Practice . . .
failbetter.com
encourages submissions via email (submissions@failbetter.com).
All email submissions should include title in header.
All fiction and poetry submissions must be included in the
body of your email.
(Note: We will not consider submissions that ask
us to check out their work on another web site.) Additionally, please
do not send attached files. If
for whatever reason, you wish to submit a story in Word format,
please query first. For
artwork, please send query with samples attached in .jpg format.
For
the technically inept, submissions still may be sent with SASE via
postal mail at:
failbetter.com
63 Eighth Avenue, #3A
Brooklyn, NY 11217
Please
note, however, any materials accepted for publication must
ultimately be submitted in electronic format in order to appear on
our site.
We
strongly recommend that you not only read the previous issue, but
also sign up on our email list (subscribe@failbetter.com) to be notified of future publications.
failbetter.com
acquires exclusive
first-time internet rights. Works
will also be archived online.
All other rights, including opportunity to publish in print
form, revert to the artist. Submissions
are accepted year round. Unfortunately,
there is no remuneration.
Fiction:
Original,
unpublished
short stories or self-contained novel excerpts. Query first,
if you need to submit as an attachment. No multiple
submissions, please. Send us you best work first.
Poetry:
Four to six previously unpublished poems.
We can't stress this enough—if
you submit just one poem, it is clear that you haven't read our
guidelines.
Art:
Three to five samples of your
work (JPG or GIF format as ZIP attachment). Please do not
submit more than 5 images at one time for our consideration.
While
failbetter.com
welcomes unsolicited work, we cannot accept responsibility
for lost or damaged submissions.
Simultaneous submissions are acceptable, if not
understandable. Our
typical response time is 1 month on electronic submissions and
2-3 months for regular mail.
Note: we will not respond to any email inquiry regarding
receipt confirmation or status of any work under consideration.
failbetter.com
is an online publication of the failbetter
foundation, a non-profit literary and artistic endeavor.
failbetter.com is simply a venue for quality writer
who want to get their work seen by thousands of people.. We
are free publicity at no cost, and in fact, can (and have) helped
writers get more recognition and published in traditional
print publications.
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