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Baton
Marjorie Manwaring
Flo—just turned seven—held up the sequined
majorette outfit, tasseled baton, told her parents
they'd have no regrets. Every day she practiced,
feeling her talent glisten like a sunlit wishing pond,
that sharp sparkle of carp and nickels. Summer of
her twelfth year adolescence blessed her: abundant
breasts. Hair dark and thick. But follicles sent out
runners like blackberry—sprouting from chest,
stomach, chin. Upper-lip. No call-backs from the
drill team that fall. But when Uncle Sid, a carnival
man, lost his honeymooning sword swallowers to
divorce, things changed for Flo, starting with her
name—Sid suggesting Esau’s Sister, Flo's mom
forbidding it on grounds of sacrilege. She settled on
Monkey Girl, wore a long brown braid down her
back doubling as a tail. Minnie the Tarot Reader
groomed her daily, shampooing and braiding, gently
untangling sideburns and beard with a comb tiny as
the one used by the Living Doll. A giant banner
wooed sugar-dizzy crowds: "For Just A Nickel See
The World’s Wild, Weird, Wonderful." Flo danced
solo in a pink spangled leotard—proudly bending
and arching her bristly back. Twirled her glittered
baton, ate a lot of bananas. Only Fish Boy's lines
were longer, the barker failing to disclose in his
spiel that Fish was a mere half-inch of protoplasm
pickled in a jar. Questioned in old age—how it felt to
be exploited, a spectacle, Flo said only that her
sister Sal was a beauty, a belle, not one misplaced
hair, told how Sal cinched herself into girdle, high
heels, waited tables at the Lodge, how Daddy's
friends, the minister, the grammar-school principal,
tipped well with nickels and dimes, her soft girl-ass
bruised some nights from all the pinching.
© 2006 Marjorie Manwaring
Marjorie Manwaring lives in Seattle, where she is a freelance editor and fact-checker. Her work has appeared in 5 AM, Sentence, Four Corners, In Posse Review, and other journals, and she was a semifinalist in the 2005 "Discovery"/The Nation contest.
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