Mnemonic Asphyxiation Shrouded in Vicious Peace

Nandini Dhar

A sparrow is rubbing its beaks against the crenelated ink-stains: inherited 

from the hollows of an embattled myth, shrouded in vicious peace.

 

In its titter, a lilt too tame.

 

The remembrance of a tapestried pillowcase: an incurable faith

in appearance, and nothing but appearance. A cadence

 

this city is incapable of edging out of. This bewitching dereliction

is nothing but an excuse for us to criddle: a dictated respite, a practiced

 

interruption, an invented hollow. A bookcase is crumbling inside

the unlit corridors of a library. You are leaving behind the dead-white schoolrooms

 

to quote a not-yet fully redundant rhythm. The imprints of your palms

on the walls. I try to cast mine in accordance, and fail.

 

What I am left with, is the deafening captive memory of an echo. Not knowing

what else to do, I am kissing slurs in the margins of your rudimentary scribbles.

 

A crawl through the walkways of this language

of the disfigured harmonium, the tuneless rally-chant,

 

the incomprehensible jargon: we are as yet

            

undecided about the musical instrument of our choice. 

 

Yes, I am waiting.

Genre: 
Author Bio: 

Nandini Dhar is the author of the books Historians of Redundant Moments (Agape Editions, 2017) and rebought fascimiles (Red River Press, 2024). Her poems have recently appeared or are forthcoming in New England Review, Boulevard, Epiphany, Fugue, diode, Memorious, New South, Best New Poets and elsewhere. She lives and works in Kolkata, India, where she is a Professor of English Language and Literature at Adamas University.

Issue: 
62